Dame Lesley Lawson, born Lesley Hornby on September 19, 1949, in Neasden, north-west London, and known to the world by a childhood nickname, is the English model who turned a schoolgirl’s face into the emblem of an entire decade. Twiggy was sixteen when the Daily Express named her “The Face of 1966,” and for the four years that followed she was the most famous model on the planet: the crop, the saucer eyes with their painted-on lower lashes, the boyish frame that made every miniskirt and shift dress look like the future arriving early. What made her singular was not the look alone but what she did with it in front of a stills camera. Photographers found a teenager who could hold a gaze without flinching, switch characters between frames, and mimic the screen goddesses of the 1930s on request. Hers was a career made almost entirely in photographs rather than on catwalks, and it rewrote what a model could be: young, working-class, instantly recognizable by one name.
The path in has become fashion’s favorite origin story. A test haircut at Leonard of Mayfair in January 1966, a set of trial shots by photographer Barry Lategan hung in the salon lobby, and a visit from Daily Express fashion editor Deirdre McSharry did the rest. Within a month she had her first Vogue sitting; within a year she had covers on American, French, and British Vogue, a reported £80-an-hour rate, her own Twiggy Dresses line, a Mattel doll, and a New York arrival mobbed like a Beatles landing. She walked away from full-time modeling in 1970, barely out of her teens, and built a second act most models still study: two Golden Globes for Ken Russell’s The Boy Friend, a Tony nomination on Broadway, hit records, best-selling memoirs, and the television run that introduced her to a new generation on America’s Next Top Model.
The third act is, improbably, still adding chapters. Steven Meisel’s April 1993 Vogue Italia cover brought her back to fashion in her forties, the Marks & Spencer campaigns of the mid-2000s made her the face of a celebrated retail revival, and she now works as a kind of living archive the industry keeps re-booking: Charlotte Tilbury in 2022, Zara’s Meisel-shot fiftieth-anniversary portrait gallery in 2025, and a Burberry campaign released in February 2026, in her seventy-seventh year. A Sadie Frost documentary, a Ben Elton stage musical, a weekly podcast, and a 2019 damehood round out the portrait of a national treasure who, on the evidence, never actually stopped.
People also read: Jean Shrimpton (Yardley of London), Naomi Campbell (Versace), Kate Moss (Calvin Klein), Penelope Tree (Vogue)
Quick Facts
| Real Name: | Lesley Lawson DBE (née Hornby); universally known as Twiggy |
| Profession: | Fashion model, actress, and singer |
| Born: | September 19, 1949 |
| Age: | 76 (as of 2026) |
| Birthplace: | Neasden, London, England |
| Nationality: | British |
| Height: | 168 cm (5 ft 6 in) |
| Modeling Type(s): | Fashion and runway (a career made overwhelmingly in photographic editorial and campaign work) |
| Discovered / Path In: | A January 1966 test crop at Leonard of Mayfair, shot by Barry Lategan; Daily Express fashion editor Deirdre McSharry saw the salon prints and ran “The Face of ’66” feature on February 23, 1966, when she was 16 |
| Runway Debut: | Not on the public record; the 1960s career was made in front of the stills camera rather than on the catwalk |
| Agency / Representation: | Models 1 (London, mother agency); IconicFocus Models (New York) |
| Known For: | Being “The Face of 1966” and the defining image of Swinging London: the crop, the painted-on lower lashes, the androgynous silhouette. The first one-name teenage supermodel, and the rare 1960s icon still fronting major campaigns six decades on. |
| Notable Campaigns & Covers: | Vogue US covers, April, July, and November 1967; Vogue Italia, April 1993 (the Steven Meisel comeback); Marks & Spencer campaign face (2005–2011); Zara 50 Years, 50 Icons (2025); Burberry Summer 2026 |
| Awards: | Two Golden Globe Awards (1972); Tony Award nomination (1983); Freedom of the City of London (2017); Dame Commander of the Order of the British Empire (2019) |
| Zodiac Sign: | Virgo |
| Relationship: | Married to actor and director Leigh Lawson since 1988; her first husband, American actor Michael Witney, father of her daughter Carly, died in 1983 |
| Years Active: | 1966 to present (full-time modeling 1966–1970, followed by screen, stage, music, and recurring campaign work) |
Featured Video
Video courtesy of Studio Soho Distribution’s official YouTube channel.
Featured Video
Video courtesy of Vogue.
Early Life & Education
Lesley Hornby was born on September 19, 1949, and raised in Neasden, a working-class suburb of north-west London, the youngest of three daughters of Nellie Hornby, a factory worker for a printing firm who also took shifts on a Woolworths counter, and William Hornby, a Lancashire-born master carpenter. Money was tight and clothes were homemade: her mother taught her to sew early, and the future face of a fashion decade grew up making her own. She attended Brondesbury and Kilburn High School, worshipped the Beatles, copied her eye makeup from Pattie Boyd, and idolized Jean Shrimpton, the reigning English model of the early 1960s, growing her hair long to look like her. A Saturday job washing hair at a local salon put her at the edge of the fashion world; being told that, at 5 ft 6 in, she was too short to model seemed to close the door on the rest.
The door reopened in January 1966, in a single day that fashion history has replayed ever since. Leonard Lewis, the Mayfair hairdresser known as Leonard of Mayfair, was looking for young faces on which to test a new crop. The sixteen-year-old from Neasden sat for roughly eight hours while Leonard cut and colourist Daniel Galvin bleached, and the next day photographer Barry Lategan took a set of test head shots. She had painted extra lashes directly onto the skin beneath her eyes, a schoolgirl trick that became a signature, and Lategan later recalled being dazzled by a girl who looked straight into the camera and could play to it like a silent-film actress. Leonard hung a print in his salon lobby, and Lesley went back to school.
One of Leonard’s clients was Deirdre McSharry, fashion editor of the Daily Express and one of the most influential journalists in London. She asked to meet the girl in the photograph, commissioned more pictures, and on February 23, 1966, the Express ran its feature declaring her “The Face of ’66,” with copy that read, “The Cockney kid with a face to launch a thousand shapes… and she’s only 16.” The name came ready-made: Nigel Davies, a hairdresser ten years her senior whom she had met through his brother during her Saturday-girl days, called her Twigs, restyled it Twiggy, restyled himself Justin de Villeneuve, and became her boyfriend and manager. She reported the facts of her own scouting matter-of-factly in her 1998 memoir Twiggy in Black and White; the profile notes, as the record does, that she was a minor when all of it happened, and that the speed of it left a schoolgirl running a global career within twelve months.
Career Highlights and Milestones
The break was close to instantaneous. One month after the Express feature she sat for Vogue for the first time; by 1967 the phenomenon was global, with covers on Vogue in America (April 15, July, and November), Paris (May), and Britain (October), modeling trips to France, Japan, and the United States, and a reported rate of £80 an hour, a startling figure for a teenager in 1967. Her arrival at New York’s Kennedy Airport in March 1967 was covered like a state visit: Life and Newsweek ran features, The New Yorker devoted the best part of a hundred pages to the Twiggy phenomenon, and Bert Stern, the photographer behind the April 1967 US Vogue cover, filmed the trip as a three-part ABC documentary series. The look drew criticism too, as a body ideal pressed on young women; she has answered that charge the same way for six decades, saying she was simply built that way and pointing to a slim father, an account she gave the Associated Press as recently as 2010. Merchandising did the rest: Twiggy Dresses launched in February 1967, and America added Twiggy pens, lunch boxes, false lashes, and a Mattel doll, the company’s first modeled on a real person.
Modeling is co-authored, and the roster of collaborators who built the Twiggy image reads like a history of postwar photography. Lategan made the pictures that started it; Stern and Richard Avedon, the two defining American fashion photographers of the era, shot the 1967 Vogue covers; Helmut Newton, Terence Donovan, Melvin Sokolsky, and Cecil Beaton all put her in front of their cameras before she turned 21. The most complicated collaboration was with de Villeneuve, who managed the bookings, the licensing, and Twiggy Enterprises for seven years and has claimed the discovery ever since; her own account gives the credit to the Lategan photographs and the Express feature, and the two versions have coexisted, politely unreconciled, in every biography since. The professional split came in 1973, the same year he shot her with David Bowie for a Vogue cover that never ran as one: Bowie asked for the picture, and it became the sleeve of Pin Ups, a UK number one album.
She retired from full-time modeling in 1970, after just four years, with a line that still gets quoted at every model’s career crossroads: “You can’t be a clothes hanger for your entire life.” What followed made the exit look like strategy. Ken Russell, the flamboyant British director who had been screening old Hollywood musicals with her, cast her as Polly Browne in The Boy Friend (1971), and the untrained 21-year-old won two Golden Globes, for Best Actress in a Musical or Comedy and New Star of the Year. A recording career followed, including the country-tinged album Twiggy (1976), a UK top-40 silver record, and in 1983 she made her Broadway debut opposite Tommy Tune in the Gershwin musical My One and Only, earning a Tony nomination. Television, memoirs, and West End work filled the decades between, but the hinge of the whole second act came in April 1993, when Steven Meisel, the most influential fashion photographer of his generation, flew her to New York for a Vogue Italia cover and a sixteen-page portfolio. She was 43, and she has said she likes to think that sitting opened the industry’s door for older models generally.
The elder-stateswoman era proves the point season after season, and it is the part of the career that runs in the present tense. The Marks & Spencer campaigns she fronted from 2005 to 2011 are credited with reviving the retailer’s fortunes, and led to her own M&S Woman collection in 2012; an Olay eye-cream advertisement she fronted was ruled misleading by the UK’s Advertising Standards Authority in December 2009 over retouching around her eyes, an episode that made her, without her seeking it, a reference case in the airbrushing debate (Procter & Gamble conceded the retouching breached its own policies and replaced the image). She became a L’Oréal Professionnel UK ambassador in 2015, with Daniel Galvin, the man who coloured the 1966 crop, creating the look. Charlotte Tilbury cast her alongside Kate Moss and Jourdan Dunn for a Studio 54-themed holiday campaign in 2022, Meisel photographed her again for Zara’s 50 Years, 50 Icons anniversary gallery in May 2025, and Burberry made her the face of its music-inspired Summer 2026 campaign, shot by Sam Rock, released in February 2026. Around the bookings sit the damehood (2019), Sadie Frost’s documentary Twiggy (2024), Ben Elton’s stage musical of her life, and a weekly podcast: a working diary, not a retrospective.
Selected Career Highlights
- Daily Express runs “The Face of ’66” feature on the unknown 16-year-old Lesley Hornby, built on Barry Lategan’s salon test shots (February 23, 1966)
- First Vogue sitting, one month after the Express feature (March 1966)
- Voted British Woman of the Year in her breakthrough year (1966)
- The global year: covers on Vogue US (April 15, July, November), Vogue Paris (May), and British Vogue (October) (1967)
- New York arrival at Kennedy Airport covered by Life, Newsweek, and a near-100-page New Yorker treatment; Bert Stern films the trip as a three-part ABC documentary series (1967)
- Twiggy Dresses launches, with the merchandising wave that included Mattel’s Twiggy doll, the company’s first based on a real person (1967)
- Retires from full-time modeling at 20: “You can’t be a clothes hanger for your entire life” (1970)
- Lead role as Polly Browne in Ken Russell’s The Boy Friend; two Golden Globe Awards follow (1971–1972)
- Poses with David Bowie for the Pin Ups album cover, shot by Justin de Villeneuve for Vogue (1973)
- Album Twiggy reaches the UK top 40 and is certified silver (1976)
- Broadway debut opposite Tommy Tune in My One and Only; Tony Award nomination (1983)
- The comeback sitting: Vogue Italia cover and 16-page portfolio by Steven Meisel, at 43 (April 1993)
- Fronts the Marks & Spencer campaigns credited with the retailer’s revival (2005–2011), followed by her own M&S Woman collection (2012)
- Sadie Frost’s documentary Twiggy premieres at the BFI London Film Festival (October 2024), reaching UK and Irish cinemas on March 7, 2025
- The seventy-something bookings: Zara’s Meisel-shot 50 Years, 50 Icons (2025) and the Burberry Summer 2026 campaign (2026)
Major Recognition
- “The Face of 1966,” the Daily Express designation that became a permanent fashion-history title
- British Woman of the Year (1966)
- Two Golden Globe Awards for The Boy Friend: Best Actress in a Musical or Comedy, and New Star of the Year, Actress (1972)
- Tony Award nomination, Best Actress in a Musical, for My One and Only (1983)
- National Portrait Gallery dedicated display, Twiggy: A Life in Photographs, marking her 60th birthday, London (2009)
- Freedom of the City of London (2017)
- Dame Commander of the Order of the British Empire, for services to fashion, the arts, and charity (2019)
Read More Celebrity Biographies
- Cindy Crawford Net Worth, Life Story, & Facts
- Linda Evangelista Net Worth, Life Story, & Facts
- Christy Turlington Net Worth, Life Story, & Facts
- Claudia Schiffer Net Worth, Life Story, & Facts
Awards and Accolades
| Year | Award | Category | Context | Result |
|---|---|---|---|---|
| 1966 | “The Face of 1966” | National press designation | Named by the Daily Express in the February 23, 1966 feature that launched the career; the title has stood as her fashion-history shorthand ever since | Conferred |
| 1966 | British Woman of the Year | Public vote | Voted in the year of the Face of ’66 breakthrough | Awarded |
| 1972 | Golden Globe Award | Best Actress in a Motion Picture, Musical or Comedy | For her screen debut as Polly Browne in The Boy Friend | Won |
| 1972 | Golden Globe Award | New Star of the Year, Actress | For The Boy Friend; the second Globe of the same night | Won |
| 1983 | Tony Award | Best Actress in a Musical | For My One and Only, her Broadway debut opposite Tommy Tune | Nominated |
| 2009 | Twiggy: A Life in Photographs | Dedicated National Portrait Gallery display | The London gallery marked her 60th birthday with a display of the career’s defining portraits, an institutional canonization few models receive in their lifetime | Selected |
| 2017 | Freedom of the City of London | Civic honor | Conferred on the lifelong, and famously proud, Londoner | Conferred |
| 2019 | Dame Commander of the Order of the British Empire (DBE) | State honor, 2019 New Year Honours | For services to fashion, the arts, and charity; gazetted under her married name, Lesley Lawson | Conferred |
Selected Campaigns & Covers
| Year(s) | Campaign / Cover | Brand / Publication | Type | Notes |
|---|---|---|---|---|
| 1966 | “The Face of ’66” feature | Daily Express | Editorial | The feature that invented her, built on Barry Lategan’s salon test shots; when the authorship of an image is the story, it is here, at the very start. |
| 1967 | US covers, April 15, July, and November | Vogue US | Cover | Bert Stern shot the April 15 cover, Richard Avedon the July issue: the two defining American fashion photographers of the era, on a British teenager, in one year. |
| 1967 | Paris cover (May) and British cover (October) | Vogue Paris; British Vogue | Cover | The same twelve months put her on Vogue editions across three countries; her career total across international editions runs to 14 Vogue covers. |
| 1967 | Twiggy false lashes and the licensing wave | Various licensees; Mattel | Campaign | Twiggy lashes, pens, lunch boxes, and Mattel’s Twiggy doll: the first modern model-merchandising machine, decades before “brand” became model vocabulary. |
| 1973 | Pin Ups album cover, with David Bowie | RCA (shot for Vogue) | Cover | Commissioned by Vogue and shot by Justin de Villeneuve; Bowie asked for the frame, and it became the sleeve of a UK number one album instead of a magazine cover. |
| 1993 | Comeback cover and 16-page portfolio, April issue | Vogue Italia | Cover | Steven Meisel flew her to New York for it at 43; the sitting she credits with reopening fashion’s door to older models. |
| 2005–2011 | Marks & Spencer campaign face | Marks & Spencer | Campaign | Television and print alongside Erin O’Connor, Lily Cole, and Myleene Klass; widely credited with the retailer’s mid-2000s revival. |
| 2008–2009 | Olay Definity eye illuminator | Olay (Procter & Gamble) | Campaign | The UK Advertising Standards Authority ruled the print ad misleading in December 2009 over eye-area retouching, after roughly 700 complaints channelled by MP Jo Swinson; P&G conceded the retouching breached its own policies and replaced the image. |
| 2012 | Twiggy for M&S Woman collection | Marks & Spencer | Campaign | Her own designed range for the M&S Woman line, extending the campaign relationship into product. |
| 2015 | UK brand ambassador, Majirel High Lift | L’Oréal Professionnel | Ambassadorship | Announced at 65; Daniel Galvin, the colourist on the original 1966 Leonard crop, created the campaign look, a 49-year full circle. |
| 2022 | Holiday campaign | Charlotte Tilbury | Campaign | The Studio 54-themed cast put her beside Kate Moss, Jourdan Dunn, and Lily James: three generations of British modelling in one frame. |
| 2023 | October cover | Vanity Fair Italia | Cover | Shot by Luigi & Iango, part of the steady stream of legacy covers her seventies have produced. |
| 2025 | 50 Years, 50 Icons anniversary campaign | Zara | Campaign | Steven Meisel again, 32 years after the comeback cover; the 50-model cast set her beside Naomi Campbell, Cindy Crawford, Christy Turlington, Linda Evangelista, and fellow 1960s face Penelope Tree. |
| 2026 | Summer 2026 campaign | Burberry | Campaign | Shot by Sam Rock for chief creative officer Daniel Lee’s music-inspired season; she fronts the cast in a fringed leather trench, having sat front row at the collection’s show in September 2025. |
Agency & Representation History
| Years | Agency / Representation | Market(s) | Notes |
|---|---|---|---|
| 1966–1973 | Justin de Villeneuve (personal management) | London, New York, Paris, Tokyo | Her boyfriend and manager from the February 1966 breakthrough, running bookings, licensing, and Twiggy Enterprises, and continuing to manage the post-modeling ventures until the 1973 split. The discovery credit is disputed on the record: de Villeneuve has long claimed it, while her 1998 memoir credits the Lategan photographs and the Express feature. |
| 1973–2000s | Independent / direct bookings | London, New York, Los Angeles | Full-time modeling had closed in 1970; the returns that followed, from the 1973 Pin Ups sitting to the April 1993 Vogue Italia comeback at Steven Meisel’s personal invitation, came by direct approach rather than through a mother agency. |
| Current | Models 1 (mother agency) | London, worldwide | The signing date is not on the public record; Models 1 carries her board and models.com records the agency as her mother agency. |
| Current | IconicFocus Models | New York | US market representation alongside the Models 1 mother-agency relationship. |
Business & Media Ventures
| Years | Venture / Production | Role | Notes |
|---|---|---|---|
| 1967–1970 | Twiggy Dresses and Twiggy Enterprises | Founder and face | Her own teen line, launched February 1967, at the center of the era’s licensing wave; she later said the venture foundered on inexperience and “bad business partners” (Associated Press, 2010). |
| 1971–1990s | Screen, stage, and recording career | Actress and singer | The Boy Friend (1971) and its two Golden Globes; West End debut in Cinderella (1974); the silver-certified album Twiggy (1976); Broadway’s My One and Only (1983, Tony nomination). |
| 1998–2007 | Television | Host and judge | Her own interview series Twiggy’s People (1998); the America’s Next Top Model judging panel, cycles 5 through 9 (2005–2007). |
| 2000s–2010s | Home-shopping fashion lines | Designer | The Twiggy Collection online, then Twiggy London for HSN (2010), priced under $100 on her stated belief that “fashion should be for everyone” (Associated Press, 2010). |
| 2020–present | Tea With Twiggy | Podcast host | Weekly interview podcast launched in 2020 with Stripped Media; guests have ranged from Joanna Lumley and Sarah Ferguson to Mark Knopfler, over her own recording of “Waterloo Sunset” as theme music. |
Net Worth, Income, & Lifestyle
| Net Worth (2026) | Public estimates vary widely. Twiggy has not disclosed a verified net worth figure. Treat numbers found online as unconfirmed. |
| Income Sources | Campaign fees and brand ambassadorships, acting and stage work, music royalties, book royalties, television, the Tea With Twiggy podcast, design and home-shopping lines, and licensing of the Twiggy name and archive. |
| Contracts & Brand Partnerships | The contract, not the cover, has powered the later career: Marks & Spencer (2005–2011, plus the 2012 M&S Woman line), L’Oréal Professionnel UK (2015), Charlotte Tilbury (2022), Zara’s 50th-anniversary campaign (2025), and Burberry Summer 2026. Contract values are not publicly reported; her 1967 editorial rate, by contrast, was reported at the time at £80 an hour, famous precisely because editorial rarely paid at all. |
| Properties & Assets | Most detailed financial and property information is kept private. Public reporting records that she and Leigh Lawson live in Kensington, London, and keep a home in Southwold, Suffolk. |
| Lifestyle | London-rooted and famously unstarry: a campaign or two a season, the weekly podcast, the documentary and musical circuit, Wimbledon and Chelsea Flower Show summers, and a working diary that treats retirement as something that happened to the modeling, not the model. |
Social Media & Online Presence
| Official account: @twiggylawson (verified): archive treasures, campaign posts, and the podcast. An audience of roughly 108,000, a strikingly modest count for a name this famous, and a reminder that her fame predates the platform economy entirely. | |
| TikTok | No official account on record; treat any “Twiggy” TikTok profile with caution. |
| X (Twitter) | Official account: @twiggy, the handle she directs podcast listeners to; used lightly. |
| No active official page on record; unofficial fan pages circulate. | |
| YouTube | No official channel on record; the documentary trailer sits on distributor Studio Soho’s official channel. |
| Agency Profile | Board page at Models 1, her London mother agency. |
| Official Website | Personal site at theofficialtwiggy.com, carrying the biography, news, and the Tea With Twiggy podcast hub. |
NOTE: In addition to the official accounts listed above, many fan-run pages, appreciation accounts, and fashion-history accounts exist across platforms. These are not confirmed to be affiliated with Twiggy or her team. Links and usernames can change at any time.
Trivia & Lesser-Known Facts
- The Daily Express feature that launched her misprinted her height as 5 ft 3 in; she is 5 ft 6 in (168 cm), the very height she had earlier been told was too short for modeling.
- The January 1966 Leonard of Mayfair crop took roughly eight hours, with Daniel Galvin doing the colour. Forty-nine years later, Galvin created her look again for the 2015 L’Oréal Professionnel campaign.
- Mattel’s 1967 Twiggy doll was the company’s first doll modeled on a real person, arriving with four exclusive outfits the following year.
- David Bowie name-checks her (“She’d sigh like Twig the wonder kid”) in “Drive-In Saturday”; the Pin Ups sleeve photograph was commissioned by Vogue, and Bowie’s request for it cost her a Vogue cover but put her on a UK number one album.
- The New Yorker devoted close to a hundred pages to the Twiggy phenomenon in 1967, via Thomas Whiteside’s reporting, an amount of ink no model had commanded before.
- Her episode of Who Do You Think You Are? (2014) surfaced the family story that her great-great-grandmother, Grace Meadows, died in a stampede of shoppers at an 1897 Hackney bargain sale.
Quotes
“You can’t be a clothes hanger for your entire life.”
– Twiggy, announcing her retirement from modeling in 1970, as reported by the Associated Press
“I hated how I looked in the Sixties. I thought everyone had gone stark raving mad.”
– Twiggy, interview with The Daily Telegraph (2008)
“I’ve always had the strong belief that fashion should be for everyone, not just for wealthy people.”
– Twiggy, Associated Press interview (March 2010)
“It’s very unexpected, but truly an honour, to see my own life translated onto stage, and I can’t imagine a better, more generous collaborator than Ben.”
– Twiggy, statement announcing Close-Up: The Twiggy Musical (2023)
“And then you see it all 10 feet high on the screen. It’s doubly emotional.”
– Twiggy, on watching the documentary of her life, 48 Hills interview (February 2026)
Frequently Asked Questions (FAQs)
Q: What is Twiggy’s age?
A: Twiggy was born Lesley Hornby on September 19, 1949, making her 76 years old as of 2026.
Q: What is Twiggy best known for?
A: She is “The Face of 1966”: the teenage model whose crop, painted-on lower lashes, and androgynous look defined Swinging London and made her one of the world’s first supermodels. She is equally known for the second act, as a Golden Globe-winning actress, singer, and long-running campaign face.
Q: Which agency represents Twiggy?
A: Models 1 in London is her mother agency, with IconicFocus Models handling New York.
Q: How was Twiggy discovered?
A: In January 1966, aged 16, she sat for a test crop at Leonard of Mayfair, and photographer Barry Lategan’s trial shots were hung in the salon. Daily Express fashion editor Deirdre McSharry saw them, commissioned more photographs, and the paper’s February 23, 1966 feature named her “The Face of ’66.”
Q: Is Twiggy still modeling?
A: Yes, selectively and at a remarkable level: recent work includes Zara’s Steven Meisel-shot 50th-anniversary campaign (2025) and Burberry’s Summer 2026 campaign, released in February 2026, in her seventy-seventh year.
Q: What are Twiggy’s most famous campaigns and covers?
A: The 1967 Vogue covers in America, Paris, and Britain; the April 1993 Vogue Italia comeback by Steven Meisel; the Marks & Spencer campaigns (2005–2011) credited with the retailer’s revival; and the recent Zara and Burberry campaigns.
Q: Does Twiggy have official social media?
A: Yes: Instagram at @twiggylawson and X at @twiggy, plus the official site theofficialtwiggy.com and the weekly podcast Tea With Twiggy. She has no official TikTok on record.
Upcoming Campaigns & Projects
- Burberry Summer 2026 campaign (Burberry, released February 2026): currently running across the brand’s channels; any further seasonal bookings are unannounced, and this profile does not speculate about them.
- Twiggy The Musical national tour (Ben Elton, dates TBA): the production, premiered at London’s Menier Chocolate Factory in 2023 as Close-Up: The Twiggy Musical, was announced for a national tour opening at the Everyman Theatre, Cheltenham in September 2025, then postponed by the producers “to further develop the project”; new dates had not been announced at the time of writing, so treat scheduling as subject to change until the producers confirm.
- Twiggy documentary rollout (Studio Soho / BBC, scheduling TBA): Sadie Frost’s feature continues its life beyond the March 7, 2025 UK and Ireland cinema release, with US festival screenings in early 2026 and a BBC England commission for BBC transmission and iPlayer; scheduling is the broadcaster’s and subject to change.
Campaign work in this industry is embargoed by default; brands announce, models rarely pre-announce, and nothing beyond the above should be assumed until confirmed by the brand, producer, or broadcaster.
Interviews & Features
- 48 Hills, “Swinging ’60s icon Twiggy: ‘It happened so fast, and I was so young'” (February 1, 2026), a reflective interview around the documentary’s US festival run, unusually candid on watching her own life on screen.
- WWD, “Twiggy, Maya Wigram Front Burberry’s Latest Campaign” (February 2026), the trade’s report on the Summer 2026 campaign and Daniel Lee’s music-driven season.
- The Hollywood Reporter, “Zara Taps Steven Meisel and 50 Iconic Models for Shoppable Anniversary Campaign” (May 2025), the full-cast picture of the anniversary shoot that set her beside four decades of successors.
- WWD, “Twiggy, Swinging ’60s Supermodel, Gets Documentary Treatment” (November 2022), the announcement piece on Sadie Frost’s film, with the production and contributor detail.
- TODAY / Associated Press, “’60s icon Twiggy launches fashion line” (March 2010), Leanne Italie’s AP interview, the source of several of her most-quoted lines on fashion, body talk, and the 1960s.
Public Appearances & Events
- BFI London Film Festival premiere, London (October 18, 2024): the world premiere of Twiggy at the 68th festival, walking the BFI Southbank carpet in London alongside director Sadie Frost.
- The Championships finals day, Wimbledon (July 13, 2025): at the men’s final as a guest of Emirates in Wimbledon, one of the fixtures of her London summer calendar.
- Burberry Spring/Summer 2026 show, London (September 22, 2025): front row in London at the collection staged in a vast tent at Kensington Palace Gardens, months before fronting the season’s campaign.
- Mostly British Film Festival screening, San Francisco (February 6, 2026): the US festival run of Twiggy reached San Francisco‘s Vogue Theater, with the accompanying interview circuit.
